Making Space, Redux

I let my son play on the sidewalk by the gate for a little longer than usual and I stood there, the sun warm on my forehead, listening to the chatter of the six or seven Korean women who had gathered in the parking lot. Someone’s mother, a grandmother, walked back and forth along the sidewalk carrying a baby on her back, uh-buh-bah style—the way my mother and grandmother carried us as babies, the way I still sometimes carry Bennett as I put him to bed at night. With all the innocence of a presumably inattentive bystander, I listened (only somewhat guiltily) to their conversation the same way I’d eavesdropped on the conversations of my mother and her friends when I was young.

How many secrets had I squirreled away like that? Those tiny morsels of information and juicy bits of gossip had been laid out casually, help-yourself-family-style, because they assumed that we didn’t understand what they were saying. Back then, in those half-Korean/half-American circles, most of our mothers raised us in the languages of our fathers. Perhaps it was easier. Perhaps English was still a coveted enough tongue to compel them to subjugate their own. Perhaps they felt their immigrant status too acutely in the way others strained to understand them through their accents. Perhaps speaking English at home provided them the practice that they needed in a low-stakes environment. Whatever the case, we spoke predominantly English in our homes.

But as I’ve mentioned in other posts, I spent my early years with my grandmother who only spoke Korean. Since she was one of our primary caregivers for many years, I was forced to internalize the language. I remember driving my mom insane with my incessant questions: “mommy, how do you say ‘towel’ in Korean? How do you say ‘thermometer?’ How do you say ‘spend the night at my friend’s house?’ How do you say ‘go to the park?’” That last one was prompted by a situation that had landed me in hot water. I’d gone to the park down the street one afternoon after informing my grandmother (in English) of my plans. I was four or five at the time and my mother was away for a day or two with church duties. Some time later, as I was hanging upside down from the monkey bars, my uncle arrived. He was red-faced and roaring. “You are NEVER,” he bellowed, “allowed to leave the house without telling an adult where you are going.” My grandmother had called to tell him I was missing, though she’d probably called him more out of irritation than concern (this was before people were actually arrested for letting their children walk down the street alone). “But I did tell her,” I whined, feeling the injustice of the situation. “Well,” he yelled, “she didn’t understand! Next time, draw her a picture!” After that, I learned from necessity as much as curiosity.

Standing there beside those women, I felt all the summers of my childhood swelling up around me like deep pools of memory and longing. I’ve written about nostalgia in other posts (here, for instance), but the feeling that washed over me, that particular brand of homesickness, was less about a place/time and more about “fit.” In my childhood, I’d passed easily between languages and between cultures. My mother always served as a kind of entry point to those small clubs of belonging, those small communities of women who gathered in parking lots and coffee shops, who frequented the same businesses together with a kind of devotion and loyalty that rivaled their religious fervor. They will make or break a business with their praise and derision. “This one, not that one,” someone will say and they will all change course together.  “Just wait,” I told a friend months ago when my son’s daycare only had a couple of Korean families, “once the word gets out, you’ll be inundated with Korean kids.” And there they were.

One of those families has a daughter in my son’s class. At our last class gathering, they stood quietly to the side. I made my way over to them to ask them how their daughter was acclimating. “She loves it here,” the mom told me, “every morning she wakes up and says that we need to hurry up and go see her seong-saeng-nim.” She translated, “ah…that means teacher in Korean.” “Yes,” I replied, “my mom….” I’d started to say the phrase, “my mom is Korean” (in Korean) as I had so many times before. But I stopped. I realized that I didn’t know how to say, “my mom was Korean.” Past tense. I should have said, instead, “I’m half Korean,” but in the moment, I floundered. I finished in English, “my mom was Korean, but she passed away last year.” I rushed through the moment and quickly went on to tell her about the morning before, when I’d spoken Korean to her daughter. Her daughter had been walking away when she realized, mid-stride, that someone had spoken her first language to her and she returned wide-eyed to give me a closer look. We laughed and her mother said, “she must have been surprised to find someone speaking her language who doesn’t look Korean.” I know. Pull your jaws off the floor. But yes, this happens quite often. Korean people don’t always read me as “Korean.” They see whiteness. And “white” people see me as “Asian” (or American Indian, Latina, etc.). It all depends on who’s doing the seeing.Without my mother, we—my siblings and I—are three “other-ish” looking kids with a white guy in tow. My mother made sense of us; she provided our papers and credentials for entry into that other world, into those other parts of ourselves.  Now, I often feel like a “foreigner” in all the spaces of my life. I find myself moving uncomfortably through situations that once felt easy. After all, she’s no longer around to bear the burden of our difference.

When life pulls the rug out from under us, we have a tendency to focus on what we’ve lost, to dwell on the bruises from the fall. Sometimes, however, if we take a minute to look beyond those things, we unearth long-forgotten hardwood floors, or kitschy tile made chic again by time, or maybe we find the hideous linoleum that reminds us why we bought the rug in the first place. Whatever we find, that rediscovery has the potential to make novelties of old things. My mother’s death has, in so many strange ways, made the world new for me. But it’s not only the world that has been made new; I’ve unearthed uncharted territory in myself as well. I’ve come to understand how much of my self-narrative has depended on that between-ness.

Lately, I feel myself grasping for the vestiges of that feeling, that comfort of being nestled effortlessly between those parts of myself and between cultures with my mother at the center. That longing has manifested itself in intense cravings for all the foods of my youth. For the cold rice drink (shikhye) that my mother would give us on special occasions when people came over for lunch. For rice mixed with water, the gruel of my early childhood, served with an array of banchan. For green onion pancakes (pajeon) with cilantro and fish/lemon dipping sauce. For Omelet rice (omurice).  For, oh god, delicious noodles in black bean sauce (jjajang myeon). For those chewy pink candies wrapped in rice paper. For weird shrimp crackers (Saewookkang). For Korean moonpies, (Chocopie). And, of course, for Pepero.* Sure, I can make a lot of this at home and I can find the rest at one of the three Korean markets in town, but most of these things never taste quite the same as they did back then. The tastebuds of my childhood—that hadn’t yet learned to love truffle oil and brie, that considered Red #40 and Blue #1 essential to making food more compelling and tasty—have left me perpetually wanting. Moreover, my mother’s death has left me endlessly in search of her distinct and refined notes in those dishes that I haven’t been able to discover elsewhere or replicate exactly on my own. Some things live only in the past.

*This little treat even has its own day. Supposedly, at its inception, people gave boxes of Pepero to those they loved with wishes for growing “taller and thinner, like Pepero.” Insert your own wide-eyed emoticon. Only in Korea, ya’ll. Weirdest marketing scheme ever, right? At some point Pepero day became a kind of Valentines-esque observance on November 11. Any Korean friends out there want to comment about whether or not this is still observed?

Tomorrow, my mother would have turned 59. By way of grieving or celebrating (I’m not sure which), I’ve decided to remake the room that I made for my mother to die in. I’ll give it a fresh coat of paint. I’ll buy new bedding. Maybe I’ll buy a new rug. Maybe I’ll learn the past tense. Maybe I’ll go buy all the things that I’m craving just in case there’s some latent magic to be found in the bounty. Maybe I’ll say hello to those women one morning as I walk by. Who knows? In any case, I’m making space again. This time, however, it’s for all of the things that we will be after and because of my mother, rather than all of the things that we won’t be without her. 

Potty-talk and Other Regressions

I stood across the lawn from them, squinting in the sun. I was four, which means he would have been two. I only know this because I remember the house that we lived in then. We moved so often that I’ve learned to tell time by the house that we occupied at any given moment. Those houses stand like markers, points of identification around which three or four year clusters of particular experiences, people and places gather in my mind. Barksdale AFB, Louisiana. I watched as my grandmother squatted beside my brother, a faded yellow margarine tub in her hand, and began coaxing him to pee with a rhythmically hissing, “shee, shee, shee.” Potty training the Korean way. As he began to urinate, preening with a kind of princely privilege and pride, I yelled, “ewwwwwww!” My grandmother didn’t look in my direction, but her retort, “YA!” came cracking across the yard like a swat on my retreating rear. I turned my head to stick out my tongue at them before running away.

My relationship with my grandmother wasn’t complicated. I won’t elaborate now on all my conjectures about her projections of self-hate, but with me she was almost always harsh and dismissive. Without a second thought, she sent me back into the night to search for the extra pair of underwear I’d dropped along the way when I returned from my first sleepover, terrified and crying. I was five. She frequently wiped her thumb across my cheeks, voicing her displeasure at the unfortunate emergence of my freckles. For years I wore them, ugly and ashamed. My skin screamed as she scrubbed too hard at bathtime. “Owwww! You’re hurting me!” I once exclaimed. “YA!” she said, “gamanhi anj-a!”* Sit still. Cut it out. And she commenced the scrubbing with increased vigor. It was clear from the time that she came to live with us that she saw me as an inconvenience to and an intruder on her time with my brother. Sometimes I was permitted to sit up with them at night while M*A*S*H or the The Jeffersons flickered soundlessly in the background. Most times, though, theirs was a private club of two that I observed from afar, my face pressed up against the screen of their indifference.

*Last Thanksgiving, as we sat around the table for the first time without my mother, we listened to my son jabbering away. Somewhere along the way, he’d adopted the name “Aunt Da-da” for my sister, Rebecca. None of us know why that’s the name he’s settled on, but we reflected on the fact that it had an uncanny resemblance to my brother’s childhood name for me. When we were young, my brother called me “ya-ya” for the first five or six years of his life. Again, we never really understood why. But as we sat there, my sister remarked: “You know what? Tim probably called you that because grandma called you ‘Ya!’ so often.” It was one of those moments when life’s little mysteries suddenly give way right before one’s eyes and become glaringly obvious. How had we never considered that before? We cracked up as we realized that for all of those years, my brother had more or less thought my name was “hey you!”

For a long time, I thought of my grandmother with bitterness and then, eventually, with little more feeling than I might have for a passing acquaintance. The last time we were all together, we were visiting my parents in Korea. My grandmother was planning to move back to LA to live with my uncle, so my mother asked the three of us to perform a small traditional bowing ceremony (Sebae) for my grandmother. It included, as does every other occasion in Korea, presenting her with money in white envelopes. Out of respect for my mother, I obliged. As we concluded and made our way out of her room, my grandmother summoned my brother back in, and when he emerged, he smugly held all of our money in his hands. He relented, of course, when he came up against our seething wall of sisterhood and redistributed the money appropriately. We weren’t really angry, though. We were simply playing our roles; by then, we’d accepted the order of things.

Last month, we all met in California at my maternal uncle’s house to celebrate my dad’s 60th birthday. In Korean culture, turning sixty is a significant milestone, and it’s usually observed with a kind of ceremonial importance. While we were there, however, my uncle wanted us to go visit my grandmother who is now in her eighties and who, he told us, probably only has a year or two left. As we drove to the assisted living center, he reminded us, again, of the story we were supposed to relay if she asked where my mother was. Because of my grandmother’s declining health and dementia, my uncle and my mother decided that they wouldn’t tell my grandmother when my mother finally did pass away. Yup. Already feeling some anxiety about this charade, I was a bit on edge when my uncle began talking about my grandmother’s deteriorated state. Because she had fallen several times recently, they agreed that she would no longer attempt to walk around and would, instead, only use a wheelchair. Switching back and forth between Korean and English, we moved from one awkward conversation to the next until, somehow, he was explaining things that we already knew about the way one loses muscle tone and control over bodily functions when wheel-chair bound. I sort of tuned out for a minute, and then I heard him say, “so…doo-doo and shee-shee, sometimes just fall out.” Just like that. And I couldn’t help it, I was four years old all over again. The laughter erupted out of me and I couldn’t stop it. The strain of the week, the hundreds of little white lies, the secrets and the absolute absurdities about our lives that my mother’s illness and death had exposed just burst out of me—rudely, unexpectedly and uncontrollably. My uncle looked at me in the rearview mirror, bewildered, and my sister looked at me, eyebrows raised, with the look I’m usually shooting her: “WTF? Get it together!” Finally, I bit my cheek and managed to get myself under control, though my body trembled for several minutes more with laughter that begged not to be contained.

We sat with my grandmother for about an hour in the courtyard, surrounded by pale pink stucco walls and other residents (all Korean) shuffling aimlessly around. Despite the warnings, I was still a little surprised to find her so vacant, to watch as our presence dawned on her more than once. It felt like a scene out a movie. It definitely didn’t feel like real life. One resident sat in the sun where she’d been wheeled. She was complaining loudly about the sun being too bright. Her eyelids drooped so deeply that we wondered how she could see anything at all, but my brother got up and moved her to a shadier spot. “Hey!” she yelled, “who was that? There’s a man around here just coming and going!” We all giggled a little under our breath and my grandmother, looking confused, joined in. My sister explained what had happened, and my grandmother began yelling at the woman, “that’s not a strange man; that’s my grandson!” “EH?!” yelled the woman, “WHAT?!” And my grandmother, probably forgetting already what had happened, yelled back, “EH?! WHAT?!” Back and forth they went, the call and response of dementia, until one or the other forgot their part and they lapsed into silence.

In the time that followed, my sister and I watched, mostly in silence, as my grandmother lovingly caressed my brother’s face and exclaimed over and over how strange it was that he was so grown up and marveled at how handsome he’d become. I was unprepared for the flood of sadness and tenderness that washed away the laughter in me and nearly made me weep. I was sad for my grandmother, for all that she’s lost to the progression of time and, in the face of so much regression, for all that she doesn’t know she’s lost. I was sad for my mother, who would never be old and for her grandchildren, who would never know her, soft, in old age. And I was sad for myself, not old at all, but suddenly, the oldest in this line of women. 

However, I was also grateful for the opportunity to go back. We don’t get the chance very often to return to those moments in life that shape us, to rewrite our narratives. There we were, children again. My brother and my grandmother were wrapped up in their intimacy, and I sat across from them in the courtyard. This time, though, I wasn’t angry or jealous or hurt. I thought of my son, who is the same age, now, as my brother was when we stood in the yard all those years ago. Time flies so quickly and we are promised so little. It’s up to us to find those small splashes of love and beauty where we can, to discover those moments that originate in us or around us and rock us gently or wildly to our core. And when we can’t, perhaps we can trace the ripples that began elsewhere back to their sources. Maybe I couldn’t love my grandmother, but I can love the woman who has loved my brother with such tenderness. And that is enough.

A Lineage of Love

Sometime last year, I read a piece in the The New York Times about the relationship between a child’s resilience in the face of difficulty and his/her sense of an “intergenerational self.” Reading that piece, I contemplated the lack of an intergenerational narrative in my own childhood. My maternal grandmother is the only grandparent I’ve ever really known, and for much of our lives, distance, language and culture have posed nearly impassable barriers in our relationship. Both of my father’s parents and my mother’s father died before I was born, and neither of my parents talked openly about their lives before one another very often. In fact, when I stopped to tally all the stories I have from their collective childhoods, I realized that I could count them on my fingers and toes. I channeled my six-year-old self, tongue in cheek, brow furrowed, thinking, “wait, is that right? That can’t possibly be right!” But it is.

I think in our case, that lack of a cohesive and intergenerational narrative was exacerbated by the demands of military life. We moved so frequently that it was difficult to establish any kind of reliable tradition. Ironically, the only thing that stayed the same…was that nothing stayed the same. For most of my childhood, we were a unit of four (a unit of five after my sister came along) and that was it; we began and ended with one another. As a kid, I couldn’t name what I felt, but I remember being angry at times that we didn’t have that narrative and familial structure to anchor us to something. I longed for a place where we belonged, where we could return—a place that we both recognized and would be recognized by, in turn. It was nostalgia at its most literal, that longing or ache for a return home, but it was also the simultaneous recognition of, as Boym puts it in The Future of Nostalgia, “the impossibility of homecoming.” After all, how does one return to something that never existed?

It wasn’t until my mother’s recent illness and death that I really began to contemplate how many gaps filled our family tree—whole histories lost, limbs lopped off by our tradition of reticence. In those last months with my mother, I scrambled to discover some of that history before she took it with her. But as I sat there poised with my pen and paper in hand, I felt how much the radiation had dulled her once razor-sharp mind; I knew that it was already too late. We went through the motions together, anyway, grasping at all the threads and attempting to tie the ties that bound us to each other and to all that which had come before us.

As I’ve tried to make sense of our last months together, I’ve been overcome with a new nostalgia for those six weeks that she spent with us after my son was born. He was a 33-weeker, healthy but small. He spent nearly a month in the Special Care Nursery, and I was exhausted from the worry and work of living in two places. My mother swooped in as she always did, an amalgamation of old wives tales, “better” ways of doing things, tough love, and unsuspecting tidal waves of tenderness that nearly drowned me with their suddenness. She cleaned, put my not-yet-ready-for-baby house in order, and cooked. For weeks after I gave birth, she insisted that I eat the traditional Korean seaweed soup, miyeok guk, prepared for post-partum mothers. After about a week and a half, I begged her to let me eat anything else. She finally relented, but only if I agreed to drink a bowl of the soup first. I watched her make and remake that soup with a kind of ritual care. It was more than soup. It was her offering of peace and love. It was her way of welcoming me to the table of motherhood. So I drank it, dutifully.

As I ate, she would sit next to me in that little dining room of the apartment that we lived in then, made bigger, somehow, by the sunlight streaming in through the two enormous windows, and she would talk, sometimes for more than an hour. I remember being deliriously sleep-deprived, wanting nothing more some days than to tell her to be quiet so that I could lie down, but something made me hold my tongue. Maybe it was that well-worn guilt and obligation that she’d cultivated in me. Or perhaps it was the recognition, however nascent at the moment, that she rarely spoke so freely and that she was offering me something I would later value. So even though my body ached and my brain could barely keep up, I listened. And later, we would gaze at my son through his warm incubator, marveling at his feistiness, tracing its lineage in the small blue veins on his stomach back to the little umbilical stump where my blood and her blood had so recently coursed through him.  When I think of that time now—the warmth of that sun-kissed space that we inhabited together, the love we felt for him knitting new bonds between us—it feels so much like that return home that I’d longed for as a child.

When my mother passed away, I felt momentarily frantic. What would I have to offer my son in terms of some historical trajectory—ours, mine, his? When my partner and I selected his donor, we took some measures to ensure that he could fill in some of those intergenerational gaps when the time was right. But I began to think of all the ways that I had failed to keep track of the day-to-day. I didn’t keep a baby book. I recorded things haphazardly here and there. I saw the same old cycle of silence situating itself in the gaps. So I began a new project. Each night I take a few minutes after he’s in bed, and I write something about the day. Sometimes, it’s just a sentence or a picture depicting the things he’s said or done. Other times, it’s a longer reflection on the memories or stories he’s called up in me. I make sure to include other threads, too: anecdotes about the people who pass through his life and the people who are a constant presence; observations about the ways in which he fits into his world; notes about the things he loves. Maybe I can’t provide him with some “oscillating” narrative about where we came from and how we endured, as that article discussed, but I can weave together these present threads for him, warp and weft, into a lineage of love. For so many of us and for so many different reasons, this is our story. We don’t know who came before us. Or maybe we do know, but would rather forget. We are resilient in the face of difficulty not because we see the long line of history trailing behind us, but because we’ve learned to craft our own stories from the moments around us, gathering together those strands of love, endurance and connection and wrapping ourselves up in them.